After spending three months with the Schiit Saga 2, switching between its tube and solid-state modes daily, I finally understand why this $339 preamplifier has such a devoted following.
The Schiit Saga 2 is a hybrid preamplifier featuring both 6N8S tube buffer and solid-state modes, 64-step relay volume control, and full remote functionality at an entry-level price point.
This unique combination addresses a problem I've struggled with for years - wanting the warmth of tubes for jazz but needing solid-state precision for electronic music.
In this comprehensive review, I'll share my testing results, setup experiences, and why this preamp earned a permanent spot in my main system despite costing less than my speaker cables.
Schiit Saga 2 Class A, Zero-Feedback,…
Type: Hybrid tube/solid-state preamp
Inputs: 4 RCA
Outputs: RCA and XLR
Volume: 64-step relay ladder
Power: 115VAC only
First Impressions and Build Quality
Opening the Saga 2's box immediately revealed Schiit's no-nonsense approach to packaging.
The preamp arrived wrapped in protective foam, accompanied by a simple remote control, power cord, and refreshingly brief manual.
At 9 x 6 x 1.5 inches and weighing just 3 pounds, the Saga 2 is remarkably compact.
The aluminum chassis feels solid despite the lightweight construction.
The front panel sports a minimalist design with just two toggle switches and the distinctive relay volume knob that clicks satisfyingly through its 64 positions.
Build quality exceeds expectations at this price point.
Panel gaps are tight and uniform.
The switches operate with reassuring precision.
Even the remote, while plastic, has a decent heft and responsive buttons.
Customer photos confirm the attractive appearance in real-world setups, showing how the compact design fits elegantly into various audio racks.
The visible 6N8S tube through the top vents adds visual interest without being ostentatious.
One minor gripe - the RCA jacks on the rear panel feel slightly less robust than those on my $1,000+ preamps.
They're perfectly functional but lack that bulletproof feel of premium components.
The included power cord is basic but adequate.
I swapped it for an aftermarket cable but honestly couldn't detect any sonic improvements.
Key Features and Technology
The 64-Step Relay Volume Control
The Saga 2's standout feature is its relay-switched resistor ladder volume control.
Unlike traditional potentiometers that can develop channel imbalance over time, this system maintains perfect channel matching throughout its range.
Each volume step produces an audible click as relays engage.
Some find this annoying, but I appreciate the tactile feedback.
More importantly, there's zero channel imbalance even at whisper-quiet volumes where my previous preamp would favor the left channel.
Hybrid Tube/Solid-State Design
A front panel switch toggles between tube buffer and pure solid-state modes.
The tube path runs through a single 6N8S tube operating in Class A with zero feedback.
The solid-state mode bypasses the tube entirely for a cleaner, more analytical presentation.
This flexibility proves invaluable for different music genres and moods.
I typically use tube mode for acoustic music and solid-state for electronic or when I want maximum transparency.
Connectivity Options
The Saga 2 provides four RCA inputs - enough for most systems.
Outputs include both RCA and XLR, though the XLR outputs are convenience connectors, not truly balanced.
A front-panel headphone jack drives most headphones adequately, though high-impedance models might want more power.
Technical Specifications That Matter
Input impedance sits at 22k ohms, compatible with virtually any source.
Output impedance measures 180 ohms in tube mode and 75 ohms in solid-state - low enough to drive long cable runs without treble rolloff.
The 75V linear power supply provides clean, stable power.
Unlike switching supplies that can introduce noise, this traditional approach keeps the noise floor impressively low.
Frequency response extends from 20Hz to 20kHz ±0.1dB in solid-state mode.
Tube mode adds a gentle warmth without obviously coloring the sound.
Remote Control and Forkbeard Compatibility
The included remote handles volume, input selection, mute, and tube/solid-state switching.
Response is immediate with no lag.
Range extends about 20 feet with clear line of sight.
The Saga 2 is also Forkbeard compatible, though the module isn't included.
Forkbeard enables multi-product control from a single remote - handy if you own multiple Schiit components.
Sound Quality and Performance
Testing the Saga 2 with my reference system revealed capabilities that belie its modest price.
I connected it between my DAC and power amplifier, comparing it directly against my $1,200 reference preamp.
Solid-State Mode Performance
In solid-state mode, the Saga 2 essentially disappears from the signal path.
Transparency rivals passive preamps but with the drive capability to handle any amplifier input impedance.
Playing Diana Krall's "Live in Paris," piano notes exhibited proper weight and decay.
The acoustic bass had genuine texture, not just undefined low-frequency energy.
Krall's voice floated naturally in the soundstage without artificial spotlighting.
Electronic music through solid-state mode delivered punch and precision.
Daft Punk's "Random Access Memories" showcased tight bass control and crystal-clear synthesizer layers.
The Saga 2 preserved the recording's dynamic range without compression during complex passages.
Tube Mode Character
Engaging tube mode subtly transforms the presentation.
The 6N8S tube adds a touch of warmth and dimensionality without vintage tube coloration.
This isn't the syrupy sweetness of old-school tube gear - it's more refined and modern.
Jazz recordings particularly benefit from tube mode.
Miles Davis' "Kind of Blue" gained a more organic, live quality.
Trumpet had appropriate bite without harshness.
The rhythm section locked together with improved cohesion.
Classical music also shines in tube mode.
The Chicago Symphony's recording of Mahler's Fifth Symphony exhibited better instrumental separation and hall ambience.
Strings sounded less mechanical, more like actual instruments vibrating in space.
Volume Control Precision
The 64-step volume control provides incredibly fine adjustment.
Each step represents approximately 1.5dB change - perfect for dialing in exact listening levels.
Channel balance remains perfect throughout the range.
Even at position 3 (barely audible), both channels track identically.
My previous preamp required position 15 before achieving similar balance.
Real-World Performance Observations
After three months of daily use, several performance aspects stand out.
The Saga 2 runs completely cool - no heat issues even after 8-hour listening sessions.
Switching between inputs produces no pops or clicks.
The mute function works instantly and silently.
Background noise remains inaudible even with my ear against the tweeter.
This dead-quiet operation surprised me given the budget price point.
Setup and Configuration Guide
Setting up the Saga 2 requires minimal effort but a few tips optimize performance.
Initial Connection Steps
1. Connect your sources to the rear inputs using quality RCA cables.
2. Connect outputs to your power amplifier - use XLR if your amp has balanced inputs.
3. Ensure the volume knob is at minimum before powering on.
4. Flip the rear power switch and wait 30 seconds for the tube to warm up.
5. Select your input source and gradually increase volume.
Gain Settings and System Matching
The Saga 2 offers three gain settings: passive (no gain), low gain (+1), and high gain (+5).
I found low gain ideal for most situations, providing enough output without excessive volume control sensitivity.
For low-output sources or inefficient speakers, high gain mode provides additional drive.
However, this can make the volume control touchy with high-sensitivity speakers.
Passive mode works beautifully with short cable runs and high-input-impedance amplifiers.
This mode offers the purest signal path but may lack dynamics with some amp/speaker combinations.
Optimizing Tube Performance
The 6N8S tube benefits from 24-48 hours of burn-in before reaching optimal performance.
Initially, tube mode sounded slightly closed-in, but this opened up considerably after two days of use.
Tube rolling enthusiasts can experiment with 6N8S variants.
I tried a NOS Soviet military tube that added more warmth but reduced clarity.
The stock tube strikes an excellent balance.
Troubleshooting Common Issues
If you experience hum in tube mode, check your cable routing.
Keep power cables away from signal cables.
Using a different outlet circuit for digital and analog components often helps.
Remote control issues usually stem from weak batteries.
The remote uses standard CR2032 batteries available anywhere.
Replace them annually for consistent performance.
Volume control clicking bothering you at night?
The remote's volume buttons allow silent adjustment from your listening position without the mechanical relay noise.
Pros and Cons Analysis
Where the Saga 2 Excels
Exceptional Value: At $339, the Saga 2 offers features typically found in $800+ preamps.
Perfect Channel Matching: The relay volume control maintains ideal balance at any volume.
Mode Flexibility: Switching between tube and solid-state modes is like having two preamps in one.
Build Quality: American-made construction with attention to detail exceeds the price point.
Remote Control: Full-function remote adds convenience often missing in budget preamps.
Clean Power: The linear power supply ensures quiet operation without switching noise.
Compact Design: Fits easily in tight spaces without sacrificing functionality.
Limitations to Consider
US Voltage Only: The 115VAC-only design limits international use without a step-down transformer.
Limited Inputs: Four inputs may prove insufficient for complex systems.
No Phono Stage: Turntable users need a separate phono preamp.
Pseudo-Balanced XLR: The XLR outputs aren't truly balanced, just convenient connectors.
Basic Remote: While functional, the plastic remote feels less premium than the main unit.
Relay Clicking: The volume control's mechanical noise might annoy some users.
Who Should Buy the Saga 2?
The Saga 2 suits several user profiles particularly well.
Budget-conscious audiophiles seeking high-end features without the price will find exceptional value.
Music lovers who enjoy both analog warmth and digital precision benefit from the dual-mode design.
Those upgrading from receivers or integrated amps gain significant control and transparency.
System builders needing a compact preamp appreciate the small footprint.
Who Might Want to Look Elsewhere?
International users requiring 220-240V operation should consider other options.
Vinyl-centric systems need additional phono stage investment.
Those requiring true balanced operation throughout should investigate fully balanced designs.
Users with many sources might find four inputs limiting.
Alternatives to Consider
While researching best solid state amplifiers to pair with preamps, I compared the Saga 2 against several alternatives.
Schiit Freya+ ($899)
The Freya+ adds true balanced operation and multiple tube modes.
It's excellent but costs nearly three times more.
Unless you need balanced operation, the Saga 2 provides 80% of the performance at 40% of the price.
Emotiva BasX PT-100 ($329)
Similar price but includes a DAC and phono stage.
However, the volume control uses a traditional potentiometer prone to channel imbalance.
The Saga 2's relay volume and dual-mode operation give it the edge for pure preamp duties.
Topping Pre90 ($599)
Offers true balanced operation and exceptional measurements.
But it lacks the tube option and costs significantly more.
The clinical sound might not appeal to those seeking musical engagement.
When exploring high-end amplifier alternatives, remember that a good preamp like the Saga 2 can elevate modest power amps significantly.
Frequently Asked Questions
Does the Schiit Saga 2 need a separate power amplifier?
Yes, the Saga 2 is a preamplifier only and requires a power amplifier to drive speakers. It controls volume and switches sources but doesn't amplify the signal enough for speakers.
Can I use the Saga 2 with headphones directly?
The Saga 2 includes a headphone jack that works with most headphones. However, high-impedance models (300+ ohms) might benefit from a dedicated headphone amplifier for optimal performance.
How often should I replace the tube?
The 6N8S tube typically lasts 5,000-10,000 hours. At 4 hours daily use, expect 3-6 years of life. Tube mode can be disabled to extend lifespan when not needed.
Will the Saga 2 work with my existing amplifier?
The Saga 2's low output impedance (75-180 ohms) works with virtually any power amplifier. It drives amplifiers with input impedances from 10k ohms to 100k+ ohms without issues.
Is the clicking volume control normal?
Yes, the mechanical clicking is normal and indicates the relay-switched resistor ladder is working properly. This design maintains perfect channel balance but produces audible clicks when adjusting volume.
Final Verdict
The Schiit Saga 2 redefines budget preamplifier expectations.
For $339, you get relay-switched volume control, tube/solid-state flexibility, and build quality that embarrasses products costing twice as much.
After three months of daily use comparing it against preamps costing $1,200, I'm keeping the Saga 2 in my main system.
For those building complete stereo system setups, the Saga 2 represents exceptional value that leaves more budget for speakers and amplification where it counts most.
Hey, My name is Charles Eames, I am a designer, filmmaker, and lover of photographic arts. And I usually write about movies, Famous/Influential People. I am running this blog with my girlfriend Bernice.